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I have since much improved the process of handling multi-colored logos and non-white backgrounds it works best on solid-colored text and shapes with clear outlines. It was simple, but also primitive: it worked perfectly only when the contrast between the logo and background was already ideal and the logo form had only one color. This method took advantage of a few Live Effects to remove the background and retain the logo form. The Power of Adobe Fireworks: What Can You Achieve With It?.The Present And Future Of Adobe Fireworks.Switching From Adobe Fireworks To Sketch: Ten Tips And Tricks.But when tracing a mask is impractical (as with complex shapes or text-based logos), I used to follow a method that I devised for extracting logos in Adobe Fireworks that doesn’t rely on the dreaded Magic Wand tool. With a rectangular or elliptical logo, I just trace over it with a shape and turn it into a mask. Most of the time, it’s because the client doesn’t have the original raw file that their previous designer used to create their company’s logo, or because I need to work with a bunch of affiliate logos that I downloaded from the Web and not all of them have transparency information. In all the years that I’ve been using Adobe Fireworks, I have always had to perform one task in every project: remove the background from a logo.